Skin Illustrator FX Palette
FX palette from Skin Illustrator is designed for just about any injury or illness imaginable, can simulate burns, cuts, scrapes, scabs, and bruises. The FX Palette seamlessly integrates with the Flesh Tone Palette to create varying degrees of injuries and illnesses. The pigment content is much higher than any other palette available so the colors go farther and last longer. Tested on feature film productions by a team of award winning makeup artists. FX has already proven itself a valuable addition to anyone’s makeup kit.
Blood Tone was created to aid the artist in the struggle of feature film continuity and syrup based bloods. It is a realistic natural blood color. Easily be altered to a deeper theatrical color blood with the addition of Ultra Blue. Conventional bloods will wear or flake away after your actor has left the chair. The durability of the Blood Tone color allows you the freedom to place your blood in the morning, allow it to dry. Instantly freshen it to camera-ready quality whenever your actor is actually called to set – even if it’s hours later. Blood Tone also works exceptionally well as an abrasion resistant under color with syrup based bloods. If the conventional blood washes or wears away in a wet scene, the Blood Tone will still be there. Either way – you’re covered.
Mixing certain colors will not create similar tones, already present in the palette. Mixing the Yellow and the Blue will produce a different green than the Green that is in the palette. Use the Burnt Orange to provide a rust tone. The Aged Blood is a mid-ground aged blood which is not too blue or purple. By taking the Aged Blood and adding it to any other color in the palette, you will get a whole new range of color.
Note: Due to the high pigment content and lack of unnecessary fillers in the Skin Illustrator color system, cracks, bubbles and any shrunken appearance that may occur in some dried color cells does not affect the quality or performance of the product in any way.
Product code: 68682/02
Color selection
Directions
To activate we advise using Skin Illustrator Activator or 99% alcohol to activate the color pigment. A quick spray into the palette and the colour is ready to be applied with a brush or makeup sponge. The Activator evaporates out of the makeup after it is applied leaving a semi-permanent makeup. Do not use 70% alcohol, MEK, acetone, water or any other solvent.
Product description
FX palette from Skin Illustrator is designed for just about any injury or illness imaginable, can simulate burns, cuts, scrapes, scabs, and bruises. The FX Palette seamlessly integrates with the Flesh Tone Palette to create varying degrees of injuries and illnesses. The pigment content is much higher than any other palette available so the colors go farther and last longer. Tested on feature film productions by a team of award winning makeup artists. FX has already proven itself a valuable addition to anyone’s makeup kit.
Blood Tone was created to aid the artist in the struggle of feature film continuity and syrup based bloods. It is a realistic natural blood color. Easily be altered to a deeper theatrical color blood with the addition of Ultra Blue. Conventional bloods will wear or flake away after your actor has left the chair. The durability of the Blood Tone color allows you the freedom to place your blood in the morning, allow it to dry. Instantly freshen it to camera-ready quality whenever your actor is actually called to set – even if it’s hours later. Blood Tone also works exceptionally well as an abrasion resistant under color with syrup based bloods. If the conventional blood washes or wears away in a wet scene, the Blood Tone will still be there. Either way – you’re covered.
Mixing certain colors will not create similar tones, already present in the palette. Mixing the Yellow and the Blue will produce a different green than the Green that is in the palette. Use the Burnt Orange to provide a rust tone. The Aged Blood is a mid-ground aged blood which is not too blue or purple. By taking the Aged Blood and adding it to any other color in the palette, you will get a whole new range of color.
Note: Due to the high pigment content and lack of unnecessary fillers in the Skin Illustrator color system, cracks, bubbles and any shrunken appearance that may occur in some dried color cells does not affect the quality or performance of the product in any way.
Ingredients
Titanium Dioxide, Ultra Marine Blue, DBP Dibutyl Phthalate, Black Iron Oxide, D&C Red #7 Ca Lake, FD & C Red 36 Al Lake, Yellow Iron Oxide, D & C Red #36, FD&C Yellow 6 Al Lake, Brown Iron Oxide, D & C Yellow #10 Al Lake, FD & C Blue l Al Lake, Hydr. Chrome Oxide, Chrome Oxide Green, D&C Red 34 Ca Lake, Red Iron Oxide
Please note!
Shades shown in the color chart may not be identical to the original product shades.
